SAN JOSE, Calif. — Adobe Systems Incorporated (Nasdaq:ADBE) today introduced the Photoshop.com Mobile for Android™ software, extending Adobe® industry-leading digital imaging technology to users of the Google Mobile™ operating system. The release comes less than a month after the launch of Photoshop.com Mobile for iPhone, which quickly established itself as one of the 'Top Free' applications on the Apple mobile platform. The Android application equips consumers with quick and easy image-editing tools, color adjustments and instant photo-sharing capabilities. Photoshop.com Mobile optimizes the camera-phone experience by allowing users to browse for their photos online and on their phone, directly from the application. The application is free and available today at the Android Market.

'Adobe is excited to extend its digital imaging capabilities to Android phone users so they can take control of their growing collections of mobile photos,' said Doug Mack, vice president and general manager of Consumer and Hosted Solutions at Adobe. 'Photoshop.com Mobile is a great resource to edit, upload and share photos in a few short moments. It's the perfect complement to the mobile phone cameras found on Android devices.'

Mobile Photo Sharing and Editing Features
Photoshop.com Mobile for Android offers essential, user-friendly photo-editing tools like crop, rotate and flip. The Soft Focus filter can be used to create a subtle blur effect, and for performing color adjustments such as exposure, saturation, tint changes and classic black-and-white. Since all edits and changes can be undone, users can be confident that their original photo will be safe. After making edits on their Android device, users can upload photos from their phone to their Photoshop.com account to view and retrieve their images at a later time from any Internet-connected computer.

In addition, Photoshop.com Mobile for Android offers features only available on Android phones. Users can automatically upload pictures to Photoshop.com albums in the background, even when the Photshop.com Mobile application is not running. Photoshop.com accounts provide 2GB of free online photo storage, which equates to over 1,500 photos. Made possible by the Android API, the new tab-based user interface enables users to view local and online content. Also, the Android Photo Browser makes maneuvering through photos fast and convenient, bringing users' complete photo collections right to their pockets.

Adobe Photoshop Family
Adobe Photoshop® CS4 and Photoshop CS4 Extended are at the heart of the Photoshop family, joined by solutions for users at every level who want to bring out the best in their digital images. Photoshop Lightroom® addresses the workflow needs of professional and serious amateur photographers. Photoshop Elements provides exciting tools and sharing options for photo enthusiasts. Lastly, snap shooters can access Photoshop.com for free online photo editing to simply fix and enhance photos and quickly share those images on social-networking sites or through Photoshop.com online galleries.

Pricing and Availability
The Adobe Photoshop.com Mobile for Android application is available as a free download from the Android Market. More information on Photoshop.com Mobile for Android can be found at http://mobile.photoshop.com/android. The application is currently available in the U.S. and Canada only.

After the release, the Photoshop.com Mobile team will be available online for feedback, questions and the latest news via Facebook (www.facebook.com/photoshopdotcom) or Twitter (www.twitter.com/photoshopdotcom). To join the conversation, follow @photoshopdotcom on Twitter and use the hashtag #PSdroid.

About Adobe Systems Incorporated
Adobe revolutionizes how the world engages with ideas and information – anytime, anywhere and through any medium. For more information, visit www.adobe.com.

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Throughout its 121-year history, National Geographic has encouraged conservation of natural resources and raised public awareness of the importance of natural places, the plants and wildlife that inhabit them and the environmental problems that threaten them. In the past four years, 54 articles in National Geographic magazine have been photographed by iLCP members. Photographers whose work has appeared in the magazine and who are scheduled to present at WiLD SPEAK include Michael Nichols, Brian Skerry, Paul Nicklen, Steve Winters, Tim Laman, Christian Ziegler, Frans Lanting, Jack Dykinga, Tom Peschak, Klaus Nigge and James Balog.

Tim Kelly, president of National Geographic Global Media and president/CEO of National Geographic Ventures, and Frank Biasi, director, conservation and special projects, National Geographic Maps, will speak at WILD9.

"We are excited to be part of WILD9 -- a vital forum that is closely aligned to our own mission to inspire people to care about the planet," said Kelly. "It speaks to our ongoing commitment to environmental storytelling across all of our media platforms. We constantly challenge ourselves to take these kinds of stories and find fresh ways to share them with our many audiences. It's an honor to have supported some of the conservation photography showcased at WILD9 and WiLD SPEAK, and we look forward to future collaborations with iLCP."

"This year's congress greatly expands our focus on the visual and written media professions as catalysts and influencers to raise awareness of environmental issues and on their role in achieving conservation outcomes," said WILD Foundation President Vance Martin. "National Geographic is an ideal sponsor of WILD9 by virtue of its commitment to conserving nature and traditional communities, and success in bringing issues, emotion and information to audiences regarding the beauty and fragility of our planet."

WILD9's principal theme is the key role that wilderness conservation plays in mitigating climate change and conserving biodiversity and other ecosystem services critical to human well-being.

Please send requests for images to media contacts below.

WILD9 is a partnership between The WILD Foundation and Unidos para la Conservación and relies on the support and participation of many partner organizations.

The National Geographic Society (www.nationalgeographic.com) The National Geographic Society is one of the world's largest nonprofit scientific and educational organizations. Founded in 1888 to "increase and diffuse geographic knowledge," the Society works to inspire people to care about the planet. National Geographic reflects the world through its magazines, television programs, films, music and radio, books, DVDs, maps, exhibitions, live events, school publishing programs, interactive media and merchandise. National Geographic magazine, the Society's official journal, published in English and 32 local-language editions, is read by more than 35 million people each month. The National Geographic Channel reaches 310 million households in 34 languages in 165 countries. National Geographic Digital Media receives more than 13 million visitors a month. National Geographic has funded more than 9,200 scientific research, conservation and exploration projects and supports an education program promoting geography literacy.

iLCP (www.ilcp.com) Its mission is to further environmental and cultural conservation through ethical photography. iLCP is a project-driven organization, with a vision to translate conservation science into compelling visual messages targeted to specific audiences. iLCP works with leading scientists, policy makers, government leaders and conservation groups to produce the highest-quality documentary images of both the beauty and wonder of the natural world and the challenges facing it. From poaching to global warming, from habitat loss to cultural erosion, from sustainability to biological corridors, the work of conservation photographers covers the range of threats to biodiversity and is a critical component in the conservation toolbox.

The WILD Foundation (www.wild.org) Founded in 1974, WILD is the only international organization dedicated entirely and explicitly to wilderness protection around the world. WILD works to protect the planet's last wild places and the wildlife and people who depend upon them, because wilderness areas provide essential social, spiritual, biological and economic benefits. We believe that intact wilderness areas are an essential core element of a healthy modern society.

Unidos para la Conservación (www.unidosparalaconservacion.org) Founded in 1992, Unidos is a nonprofit Mexican conservation organization that has actively promoted the concept of wilderness conservation in Mexico. Its working strategy combines the establishment of alliances with government, nonprofit and corporate partners with the promotion of a conservation culture through publications and films in a search of conservation solutions through specific action.

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Adapted from the novel by James Jones and directed by Fred Zinnemann, 'From Here to Eternity' explores the troubled lives of several soldiers (and the women who love them) on an Army base in Hawaii in the months leading up to the bombing of Pearl Harbor. The film culminates in a large-scale re-creation of the attack, combined with actual documentary footage.

'From Here to Eternity' won Academy Awards® for Actor in a Supporting Role (Frank Sinatra), Actress in a Supporting Role (Donna Reed), Black-and-White Cinematography (Burnett Guffey), Directing (Zinnemann), Film Editing (William Lyon), Best Motion Picture (Buddy Adler, producer), Sound Recording (Columbia Studio Sound Department, John P. Livandary, sound director), and Writing – Screenplay (Daniel Taradash). The film also earned Oscar® nominations for Actor (Montgomery Clift), Actor (Burt Lancaster), Actress (Deborah Kerr), Black-and-White Costume Design (Jean Louis), and Music – Music Score of a Dramatic or Comedy Picture (Morris Stoloff, George Duning).

This new digital restoration by Sony Pictures was made from the only original elements still in existence, the fine-grain master positive, which was scanned at 4K to create a new 35mm negative, and features a digitally restored original soundtrack.

Tickets for 'From Here to Eternity' are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office or by mail. Doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. All seating is unreserved. For more information, call (310) 247-3600 or visit www.oscars.org.

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Byron's entry depicts an iconic Washington image outside Cafe Lautrec in Adams Morgan drinking from an illy cup of coffee. His imaginative photo used the illy cup in the most creative way, and encapsulated the Renaissance brand spirit of exploration and discovery.

Byron knew he wanted to incorporate something Washingtonians would recognize into his photograph, and as a former resident of Adams Morgan, knew just the image.

'I wanted give my photo some humor, while capturing a lesser known landmark than say, a monument,' he said. 'Illy coffee is an art within itself and to even be in this contest brought me great joy.'

Byron winning photo will be framed and displayed in Caffè, along with six other running up entries. He also wins the Picture Perfect Weekend at Renaissance M Street Hotel, including two nights in junior suite accommodations, a $200 food and beverage credit at the hotel, 365 days of complimentary illy coffee at Caffé, and private transportation.

Situated at 1143 New Hampshire Avenue at M Street NW, in DC's West End, the Renaissance M Street hotel is located between the energetic Georgetown and Dupont Circle neighborhoods, minutes from the metro and legendary city sites.

The Renaissance M Street hotel has a full service outdoor patio, emulating a bustling Italian piazza, featuring personal table service from the M Bar and Caffè menus, wireless internet access, and comfortable, contemporary umbrella seating for neighbors, hotel guests, and passers-by to enjoy all day and night.

In addition to the outdoor patio, this D.C. hotel flaunts a cosmopolitan lobby bar featuring a rotating exhibit of contemporary student art works from the Corcoran College of Art + Design, conveying class and provoking guests' sense of discovery, while 10,800 square feet of event space appeals to business travelers with state-of-the-art meeting facilities. For more information or to make a reservation, call (888) 803-1298, or visit www.RenaissanceMstreethotel.com. For more information on FotoWeek DC, please visit www.fotoweekdc.org.

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"The 'post' terms, thrown about vigorously by pundits, send out signals that the problems of our society related to gender and race have magically flown away in an unseen balloon," write the editors.

In the Fall 2009 edition, "Race, Feminism, Our Future," editors and writers take on race and feminism, two of the most provocative social, political and cultural topics of our times. The edition is a series of big-picture articles and visionary ideas.

In "Taking on Postracialism," Rinku Sen tackles the idea of postracialism and argues that just because a black man was elected President of the United States doesn't mean racial equality has been achieved. Sen says implementing policies to end racism won't erase it.

"Most Americans don't see racism as a system enabled by rules and structures," writes Sen. "They have no idea that when we lay seemingly race-neutral policies on top of the history of explicitly racist policy, the racial gap remains in place or grows."

To address racism and work toward achieving real racial justice Sen advocates re-framing the postracial discussion.

In "Birthers and Birchers: Hiding Behind Stars and Stripes," Loretta J. Ross makes a link between those who deny Obama's citizenship (birthers) and nativist, racist sympathizers (Birchers, named after members of the John Birch Society.) Ross warns that to ignore the far right allows the further spread of deceitful misinformation.

"We need to build a united human rights movement that won't allow wedge politics to divide us," writes Ross, who is the National Coordinator at SisterSong Women of Color Reproductive Health Collective and a Consulting Editor on this edition of On The Issues Magazine.

Serena Garcia, Communications Coordinator at SisterSong, also consulted on this edition.

In a unique featured artist piece, Faith Ringgold narrates a multimedia slideshow of her story quilt, "How The People Became Color Blind and We Came to America." Ringgold is well known for her vast body of work that often combines painting, quilted fabric and storytelling.

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Boston - Demonstrating its ability to improve efficiency, control and security for financial institutions and their customers through the use of its check transports and scanning hardware, Canon U.S.A., Inc., a leader in advanced digital imaging technologies and supplier of check capture devices, will showcase the versatility and benefits of its check transports and digital document scanners, including the top-of-the-line imageFORMULA CR-180II and CR-55 Check Transports, at the Bank Administration Institute (BAI) Retail Delivery Show, beginning today in Boston, Booth # 438.

"Today's financial marketplace is at a critical crossroad of finding ways to streamline business practices while keeping overhead costs down and still improving the payment and transaction process," said Jim Rosetta, vice president and general manager, Imaging Systems Group, Canon U.S.A. "As a recognized provider of advanced image capture and scanning solutions, we will demonstrate how our document scanners and check transports offer customers and financial institutions a practical solution to meet the real-world needs of the financial marketplace at BAI's show."

"Canon continues to provide ophthalmologists with the latest digital imaging technology, allowing eyecare professionals to continue to provide comprehensive, high-end care to their patients," said Tsuneo Imai, senior director and general manager, Medical Systems Division, Canon U.S.A." At AAO, ophthalmologists will witness how the CX-1 Mydriatic/Non-Mydriatic Hybrid Digital Retinal Camera can play a significant role in helping them to efficiently operate their practices."

Canon solutions on display during this year's show include:

# imageFORMULA P-150 Personal Scanner: Launching later this year, the P-150's compact size and simple use liberates document capture by taking it beyond the walls of the office to the convenience of any user location. Its innovative design and outstanding value make it ideal for use by "road warriors" and office users for general-purpose distributed document scanning applications to improve personal efficiency and productivity, as well as check scanning in remote deposit capture applications. Measuring only 11 inches long, 3.7 inches wide and 1.6 inches high and weighing just over two pounds, the P-150 redefines the minimum dimensions of a document scanner with automatic document feeder. The Canon P-150 can scan a batch of up to 20 letter-sized documents at up to 15 pages-per-minute (ppm) and 30 images-per-minuteI (ipm), yet still fits easily into a briefcase. For quick use and minimal setup, the P-150 can use electrical power via a single USB cable connected to a PC, and when first connected will immediately launch Canon CaptureOnTouch Lite. This "Plug-and-Scan" capability lets users easily and instantaneously start scanning without installing drivers or imaging applications, decreasing the time needed to initiate a scan and simplifying the scanning process.

# imageFORMULA CR-180 II Check Transport: Offering a fast, reliable solution for batch conversion of paper checks into electronic images, the CR-180II is perfect for high-volume distributed or branch capture, and remittance / lockbox processing applications. It can scan up to 180 double-sided checks per minuteII (cpm), while simultaneously reading Magnetic Ink Character Recognition (MICR) data. The CR-180II delivers high-quality images compliant with Check 21 and features two output pockets for easier post-scan sorting, and a built-in endorser. It comes bundled with Silver Bullet Ranger Transport API software that allows users to mix and match the types of item processing software and hardware they select.

# imageFORMULA CR-55 Check Transport: The CR-55 is a convenient, compact solution to decentralize payment processing from the first point of presentment to settlement. Ideal for teller and branch capture, it offers high-quality scanning, at speeds of up to 55 cpm,II and is compliant with Check 21. The CR-55 simultaneously reads MICR data and features a built-in endorser. It is bundled with the Silver Bullet Ranger Driver as well as Infrared Double Feed Detection and Paper Thickness Adjustment capabilities for reliable paper feeding and image capture.

# imageFORMULA CR-25 Check Transport: Compactly designed, the CR-25 is an easy-to-use solution perfect for remote deposit/merchant capture applications. It can scan up to 25 cpm,II and is compliant with Check 21. The CR-25 reads MICR data, comes bundled with the Silver Bullet Ranger Driver, and includes features such as Infrared Double Feed Detection and Paper Thickness Adjustment capabilities for reliable check feeding.

About Canon U.S.A., Inc.
Canon U.S.A., Inc. is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked third overall in the U.S. in 2008†, with global revenues of US $45 billion, is listed as number four in the computer industry on Fortune Magazine's World's Most Admired Companies 2009 list, and is on the 2009 BusinessWeek list of "100 Best Global Brands." Canon is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all products. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – "all people, regardless of race, religion or culture, harmoniously living and working together into the future" – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.

# # #

† Based on weekly patent counts issued by United States Patent and Trademark Office

All referenced product names, and other marks, are trademarks of their respective owners.

Specifications, availability and prices are subject to change without notice.

I Examples based on typical settings, rated in pages/images per minute with letter- sized documents, landscape feeding direction, up to 200 dpi. Actual processing speeds may vary based on PC performance and application software.

II Examples are rated in checks/images per minute with U.S. personal checks at 200 dpi in black-and-white or grayscale.

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NORWALK, Conn., Xerox Corporation (NYSE: XRX) today released its 2009 Report on Global Citizenship. The report provides a comprehensive overview of the company's activities and progress in the areas of corporate social responsibility: environmental sustainability, governance and ethics, customer privacy and satisfaction, employee diversity and development and corporate giving and volunteerism.

In the report's letter to stakeholders, Xerox Chairman Anne Mulcahy and Chief Executive Officer Ursula Burns said, "We were an early leader in the sustainability movement because we thought it was the right thing to do for the environment. But we discovered something else along the way. Every one of our innovations ended up either saving us money or creating new markets and new revenue. We found, in other words, that we don't have to choose between the environment and profit. We can do both."

Environmental Sustainability Progress to Date
Xerox aligns its environmental sustainability goals around the following four commitment areas where the company can make a significant impact across its entire value chain of technology and services:

* Climate protection: Xerox invests in technologies that reduce the carbon footprint of our operations and the operations of our customers. Our goal is to become carbon neutral. To date, our company-wide greenhouse gas (GHG) emissions are down 20 percent from 2002 to 2008, and the company believes it will deliver a 25 percent reduction in total GHG emissions by 2012 from a 2002 baseline.

Last year, 80 percent of Xerox's eligible new products met or exceeded the international ENERGY STAR standard even as the program's stricter requirements made it tougher to meet. The company's goal is to deliver ENERGY STAR qualified equipment for 90 percent or more of eligible new products launched by 2010. The Xerox Sustainability Calculator, launched in 2008, is aimed at helping customers identify opportunities to reduce lifecycle energy use, solid waste and greenhouse gas emissions of office printing activities.

* Preserving biodiversity and the world's forests: Xerox works with customers, suppliers and other stakeholders to support the development of a sustainable paper cycle. Xerox expects its suppliers to adhere to stringent requirements for sustainable forest management. To date, more than 90 percent of Xerox paper by volume met the company's requirements; the goal is 100 percent by volume. In 2008, Xerox maintained chain of custody certification as planned, expanding the portfolio of FSC (Forest Stewardship Council) and PEFC (Programme for the Endorsement of Forest Certification) certified papers it offers to customers. Xerox also continued its successful 3-year $1 million partnership with The Nature Conservancy that supports conservation work aimed at the development of a sustainable paper cycle.

* Preserving clean air and water: Xerox strives to eliminate the use of toxic materials throughout the supply chain. For years, the company has applied strict internal standards that govern the use of chemicals in its operations and products and over time has re-engineered or substituted processes to dramatically reduce the use of toxics and heavy metals. Our goal is to achieve a zero toxic footprint.

* Preventing and managing waste: Xerox's equipment and supplies returns and recycling programs diverted 106 million pounds of waste from landfills bringing total landfill avoidance to 2.2 billion pounds since 1991. The company achieved an internal recycle rate of 92 percent in 2008 and, in support of a "zero waste to landfill" goal for its company-wide operations, it is developing a waste-free goal in 2009. Xerox is on track to reduce the solid waste sent to landfills from its largest warehouses by 25 percent by 2012.

In May of 2009, Xerox launched its breakthrough ColorQube™ multifunction printer, which uses the company's proprietary solid ink technology. Its cartridge-free design generates 90 percent less office supplies waste than comparable laser devices and reduces the effects of manufacturing and transportation on the environment.

Additional highlights from Xerox's Report on Global Citizenship include:

* The Customer Experience: Xerox offers the industry's broadest portfolio of document technology and services with more than 80 products launched in the last three years. In 2008, Xerox products garnered more than 230 awards worldwide, and Xerox was the first document management company to receive excellence certification from J.D. Power and Associates for quality technical support three years in a row - one of the customer service industry's highest recognitions.

* Giving back to the communities in which we work and live: The Xerox Foundation invested $12.6 million in 2,825 non-profit organizations and matched approximately 1,700 employee contributions to not for profits. In 2008, Xerox and Xerox employees contributed $3.5 million to United Way organizations and more than 9,500 Xerox employees committed their time to worthwhile causes through the Xerox Community Involvement Program.

About Xerox
Headquartered in Norwalk, Conn., Xerox Corporation's 54,000 people represent the world's leading document management, technology and services enterprise, providing the industry's broadest portfolio of color and black-and-white document processing systems and related supplies, as well as document management consulting and outsourcing services.

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Stationery Print Shop's launch is showing a significant step forward in the online Custom and Stationery industry. A company spokesman said: "Our primary goal is to provide customers with the best in creative, unique stationery products. To that end we are committed to providing our customers with a fresh and rewarding shopping experience. "

Stationery Print Shop offers customers unique, quality, wedding and bridal shower invitations, birth announcements and baby shower invitations as well as personalized birthday cards and custom party invitation cards.

They are very proud of their customer service record and staff. They make it their personal business to be well informed and to ensure that customer expectations are always met. They are committed to working with customers to achieve an online store that gives a better stationery shopping experience and appreciate customer feedback on their site. The company has offices in the United States and can be visited online at http://www.stationeryprintshop.com.

The company is well positioned to become a popular stop for online custom stationery products, invitations, baby gifts, and much more. As an already popular provider of these items, Stationery Print Shop aims to become the one and only place to buy custom and personalized gifts for any occasion.

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Through Bounty's partnership with Rush Philanthropic, children from New York, Chicago, San Francisco, Washington D.C., New Orleans, and Cincinnati have collaborated in creating a large-scale painting depicting a bridge in their city and representing the 'space between us.' Youth groups in each city were able to showcase their creativity by being inspired by the city they live in and learn by doing the project with other children. This is in perfect sync with Bounty's mission to provide children with fun, hands-on activities that nurture their creativity and curiosity outside the classroom.

To bring this program to life, Rush Philanthropic Director of Education at Rush, Meridith McNeal, and featured artist, Amanda Williams, collaborated with a different youth arts organization in each city to promote artistic expression and help bring communities across the country together. 'Bounty is proud to be a part of Building Bounty-ful Bridges in recognizing art education as a priority for America's youth. Seeing the final mural truly depicts the creativity and different interpretations of each city,' said Eric Higgs, brand manager, Bounty. "Given the creative work and hands on approach Rush Philanthropic has already taken with kids around the country, they have made a great partner in bringing this program to life."

"As art has been such a pivotal aspect in my life, I want the youth of today to realize that art can transform lives and bring people together by unleashing the imagination," said Russell Simmons, chairman and co-founder of Rush Philanthropic Arts Foundation and entertainment mogul. 'This partnership with Rush Philanthropic and Bounty reinforces that idea.'

After the program, each partnering organization will take turns exhibiting the completed mural allowing for this project to travel through the country. For more information on Bounty's partnership with Rush Philanthropic and fun, at-home art activities, visit www.bountymakeamessterpiece.com.

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In addition, LIFE.com will provide Animoto with more than 100 wholly-owned images from the LIFE Image Collection archives for users to incorporate into their own Animoto videos. Animoto lets anyone quickly and easily create professional-quality videos from their own photos, video clips, music and text. Through this partnership, users can combine classic LIFE images with their own personal photography to create truly unique videos that can be shared with family and friends through email, blogs, YouTube, Twitter, social networks and mobile devices.

"The mission of LIFE.com has always been to share great photography and allow users to 'see their world' through these images. We are thrilled to expand on this mission by partnering with Animoto and allowing users to view these galleries in video format, giving an added layer to the user experience with music and motion," explained LIFE.com President, Andrew Blau.

Beginning today, LIFE.com is making a number of videos available on the site, including "Being There: VJ Day," "Classic NY Yankees," "Steve McQueen: King of Cool," "Grace Kelly's Wedding," "LIFE Goes to France" and Martin Luther King's "1963 March on Washington." Other videos will be added throughout the year.

"The LIFE brand is known for iconic photography and we're honored that LIFE.com is trusting Animoto's video creation platform to communicate the stories of their beautiful photo galleries in video format," said Brad Jefferson, CEO & co-founder of Animoto. "We're equally excited that LIFE.com is making LIFE photos available on Animoto.com to enhance users' ability to tell stories through their Animoto videos."

About LIFE.com
LIFE.com, the largest collection of professional photography available online, is produced through a joint venture with Time Inc. and Getty Images. The web site pairs both companies' expansive photo collections featuring both rarely seen and iconic photos from the 1850s through today. More than 8 million photos are featured on the site with approximately 3,000 new photos from Getty Images added daily.

About Animoto
The founders of Animoto Productions™ include veterans of the entertainment industry who share a passion for helping people better share their stories and express themselves through online media by innovating technologies in the field of video production. Animoto Productions, founded in August 2006, is based in New York City with an office in San Francisco. Visit http://animoto.com.

Animoto, Animoto Productions and Cinematic Artificial Intelligence are registered trademarks of Animoto Inc. Other names may be trademarks of their respective owners.

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Effective today, customers can pick up lab-quality photo prints or photo cards ordered on Snapfish.com in one hour from any of the 3,350 participating Walmart stores nationwide.

Beginning Nov. 14, Snapfish customers also will be able to pick up lab-quality photos from Duane Reade's more than 250 locations in metropolitan Manhattan, where the chain has the largest market share of any drug store retailer. Duane Reade customers also will have the option to collect large poster prints, wall calendars, hardcover photo books and photo cards at select stores.

The new relationships are expected to make Snapfish the largest print-to-store web destination in the United States.

'InfoTrends research shows a growing shift from mail-order photo to retail pickup,' said Alan Bullock, analyst, InfoTrends. 'We predict that online orders will account for nearly half of all retail photo printing within a few years.'

Snapfish customers can find and choose a pickup location in their area quickly and easily by entering their zip code at checkout.

'We are committed to offering Snapfish customers the ultimate in choice and convenience when it comes to printing their digital photos and gifts,' said Ben Nelson, general manager, Snapfish by HP. 'Our relationships with Walmart and Duane Reade extend our reach and leadership in the print-to-store category, making our prints available for pickup in more than 10,000 retail locations nationwide.'

The collaboration with Duane Reade will also extend HP's relationship with the retailer following an announcement earlier this year regarding the implementation of HP Retail Publishing Solutions in more than 200 stores. The web-to-store functionality powered by Snapfish in combination with the in-store hardware from HP allows consumers to create a wide range of photo products online for pickup at Duane Reade stores, using HP services throughout the process.

About HP

HP creates new possibilities for technology to have a meaningful impact on people, businesses and society. The world's largest technology company, HP brings together a portfolio that spans printing, personal computing, software, services and IT infrastructure to solve customer problems. More information about HP (NYSE: HPQ) is available at http://www.hp.com/.

This news release contains forward-looking statements that involve risks, uncertainties and assumptions. If such risks or uncertainties materialize or such assumptions prove incorrect, the results of HP and its consolidated subsidiaries could differ materially from those expressed or implied by such forward-looking statements and assumptions. All statements other than statements of historical fact are statements that could be deemed forward-looking statements, including but not limited to statements of the plans, strategies and objectives of management for future operations; any statements concerning expected development, performance or market share relating to products and services; any statements regarding anticipated operational and financial results; any statements of expectation or belief; and any statements of assumptions underlying any of the foregoing. Risks, uncertainties and assumptions include macroeconomic and geopolitical trends and events; the execution and performance of contracts by HP and its customers, suppliers and partners; the achievement of expected operational and financial results; and other risks that are described in HP's Quarterly Report on Form 10-Q for the fiscal quarter ended July 31, 2009 and HP's other filings with the Securities and Exchange Commission, including but not limited to HP's Annual Report on Form 10-K for the fiscal year ended October 31, 2008. HP assumes no obligation and does not intend to update these forward-looking statements.

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This year's winners are (listed alphabetically by author):

* Matt Ackley, Los Angeles, 'Victoria Falls'
* Vineet Dewan and Angus Fletcher, Los Angeles, 'Sand Dogs'
* John Griffin, Los Angeles, 'Dream Before Waking'
* Nidhi Anna Verghese, Los Angeles, 'Jallianwala Bagh'
* Jeff Williams, Wake Forest, N.C., 'Pure'

For the seventh consecutive year a script written by a team earned its writers a fellowship; collaborative efforts were first allowed into the competition in 2001.

The winners were selected from a record 6,380 scripts submitted for this year's competition. The competition is open to any individual who has not sold or optioned a screenplay or teleplay for more than $5,000, or received a fellowship or prize that includes a 'first look' clause, an option, or any other quid pro quo involving the writer's work.

Final judging of the competition was conducted by the Nicholl Committee, chaired by writer and 1992 Nicholl fellow Susannah Grant, and composed of writers Naomi Foner, Daniel Petrie, Jr., Tom Rickman and Dana Stevens; actor Eva Marie Saint; cinematographers John Bailey and Steven B. Poster; executive Bill Mechanic; producers Gale Anne Hurd, David Nicksay, Peter Samuelson and Robert W. Shapiro; marketing executive Buffy Shutt; and agent Ronald R. Mardigian.

Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during their fellowship year. The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.

Since the program's inception in 1985, 113 fellowships have been awarded, and a number of fellows have achieved considerable success. Recently Ehren Kruger, a 1996 fellow, co-wrote the box office success 'Transformers: Revenge of the Fallen'; 'City Island,' which was written and directed by 1991 fellow Raymond De Felitta, premiered at the 2009 Berlin and Tribeca film festivals; and James Mottern directed 'Trucker,' which was released earlier this month, from his 2003 Nicholl-winning script. Additionally, 1992 fellow Andrew W. Marlowe created and executive produces ABC's 'Castle.'

Nicholl Committee chair Susannah Grant adapted the screenplay for 'The Soloist,' which opened earlier this year. She wrote and directed 2007's 'Catch and Release,' and in 2000, she received an Academy Award® nomination for her 'Erin Brockovich' screenplay. She also earned writing credits on 'Charlotte's Web,' 'In Her Shoes,' '28 Days,' 'Ever After' and 'Pocahontas.'

Several other Nicholl fellows have had success in the film industry; to read more about them, visit http://www.oscars.org/awards/nicholl/fellows/notable.html.

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The Stronghold series has become one of the most popular dynamic castle building sim games in the world, combining the finest aspects from the city builder and RTS genres. The Stronghold Collection includes the deep strategic gameplay of Stronghold, Stronghold 2, Stronghold Crusader, Stronghold Crusader Extreme and Stronghold Legends in a $29.99 value-priced package that is entirely DRM-free.

"The Stronghold series has seen worldwide success, and we are excited to now offer The Stronghold Collection in one epic bundle," said Christoph Hartmann, president of 2K. "Now fans and newcomers alike can experience the entire Stronghold heritage and embrace the series' strategic, well-balanced gameplay while building, defending and expanding through the Middle Ages."

The Stronghold Collection will combine historically accurate castle construction and management, and authentic medieval combat. Players will journey to lands of brave warriors, epic legends and fearsome weaponry, where they will build and fortify fortresses; lay siege to intrepid enemies; and conquer harsh terrains. The Stronghold Collection includes the following games:

? Stronghold: The original, award-winning castle sim that takes players through medieval Britain as they lead strategic military and economic expansion, defend against invaders, and conquer enemy castles. ? Stronghold 2: The King, having fled after the defeat of his own armies, is now attempting to rule his country from a secret location. Powerful barons are jostling for what is fast becoming a disintegrating kingdom, and it is up to you to stem the tides of their ambition and unite the land again under the King. ? Stronghold Crusader and Stronghold Crusader Extreme: Journey to distant Arabian lands and lead a determined group of Crusaders. Relive the historic Crusades in four campaigns as Richard the Lionheart and Saladin, the Sultan of Syria. Stronghold Crusader Extreme adds 20 new missions, new buildings and larger armies of 10,000 troops. ? Stronghold Legends: Play as epic leaders throughout history, including King Arthur and the forces of Camelot, Siegfried and Dietrich in the German Ice Campaign, and Vlad Dracul and his evil forces in Transylvania.

The Stronghold™ Collection is rated T for Teen by the ESRB.

2K Games is a division of 2K, a publishing label of Take-Two Interactive Software, Inc. (NASDAQ: TTWO).

About Take-Two Interactive Software

Headquartered in New York City, Take-Two Interactive Software, Inc. is a global developer, marketer, distributor and publisher of interactive entertainment software games for the PC, PLAYSTATION®3 and PlayStation®2 computer entertainment systems, PSP® (PlayStation®Portable) system, Xbox 360® video game and entertainment system from Microsoft, Wii™ and Nintendo DS™. The Company publishes and develops products through its wholly owned labels Rockstar Games and 2K, which publishes its titles under 2K Games, 2K Sports and 2K Play. Take-Two also distributes software, hardware and accessories in North America through its Jack of All Games subsidiary. The Company's common stock is publicly traded on NASDAQ under the symbol TTWO. For more corporate and product information please visit our website at www.take2games.com.

About Firefly Studios

FireFly studios is an independent game developer with offices in the United States and United Kingdom. The Stronghold franchise is solely owed by FireFly Studios and with over 5 million units sold is the company's most successful series to date. For more information about Firefly studios visit our website at www.fireflyworlds.com

©2009 Firefly Studios, Ltd. Stronghold, Stronghold 2, Stronghold Crusader, Stronghold Crusader Extreme, and Stronghold Legends ®, FireFly Studios and the FireFly Studios logo are trademarks of FireFly Studios.

All trademarks and copyrights contained herein are the property of their respective holders.

Cautionary Note Regarding Forward-Looking Statements

The statements contained herein which are not historical facts are considered forward-looking statements under federal securities laws and may be identified by words such as "anticipates," "believes," "estimates," "expects," "intends," "plans," "potential," "predicts," "projects," "seeks," "will," or words of similar meaning and include, but are not limited to, statements regarding the outlook for the Company's future business and financial performance. Such forward-looking statements are based on the current beliefs of our management as well as assumptions made by and information currently available to them, which are subject to inherent uncertainties, risks and changes in circumstances that are difficult to predict. Actual outcomes and results may vary materially from these forward-looking statements based on a variety of risks and uncertainties including: our dependence on key management and product development personnel, our dependence on our Grand Theft Auto products and our ability to develop other hit titles for current generation platforms, the timely release and significant market acceptance of our games, the ability to maintain acceptable pricing levels on our games, our reliance on a primary distribution service provider for a significant portion of our products, our ability to raise capital if needed, risks associated with international operations, and the matters relating to the investigation by a special committee of our board of directors of the Company's stock option grants and the claims and proceedings relating thereto (including stockholder and derivative litigation and negative tax or other implications for the Company resulting from any accounting adjustments or other factors). Other important factors and information are contained in the Company's Annual Report on Form 10-K for the fiscal year ended October 31, 2008, in the section entitled "Risk Factors," as updated in the Company's Quarterly Report on Form 10-Q for the fiscal quarter ended July 31, 2009, and the Company's other periodic filings with the SEC, which can be accessed at www.take2games.com. All forward-looking statements are qualified by these cautionary statements and apply only as of the date they are made. The Company undertakes no obligation to update any forward-looking statement, whether as a result of new information, future events or otherwise.

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Rochester, NY, Committed to ongoing innovation in package printing, Kodak introduces a new addition to the KODAK FLEXCEL NX Digital Flexographic System that enables significantly smoother and more consistent transfer of ink on press. The application of new KODAK DIGICAP NX Screening to the entire image area allows printers to produce KODAK FLEXCEL NX Digital Flexographic Plates that improve print quality throughout the full tonal range and expand the achievable color gamut. Users can now enjoy stronger colors and outstanding visual appearance in solid areas, in addition to the fine highlight detail and print consistency delivered by the award-winning KODAK FLEXCEL NX System.

This new feature, applied in the KODAK TIFF Front End Software, utilizes the unique high resolution capabilities of KODAK SQUARESPOT Imaging Technology and the 1:1 reproduction capabilities of the FLEXCEL NX System to create micro-texturization of the printing surface. The resulting improvements in ink transfer deliver enhanced print quality, as well as production efficiencies, allowing flexo platemakers to more easily mix areas of solids and halftones on the same plate. Additionally, the new feature helps to reduce set-up time on press with plates that come to color more quickly.

'Extensive trials in the flexible packaging market have yielded excellent results. Customers have been delighted with the gravure-like appearance of the solid areas and amazed that they can now enjoy higher ink densities while still maintaining the finest highlight detail,' said Emma Schlotthauer, Global Marketing Manager for Flexo Plates, Kodak. 'One user commented that, in their opinion, they were witnessing the biggest step forward in wide web flexo in the last 10 years.'

Kodak has been recognized numerous times by the flexographic industry for its technical innovation. The FLEXCEL NX System was named this year as the sole recipient of the 2009 Flexographic Technical Association Technical Innovation Award. It also received the 2008 PIA/GATF InterTech Technology Award and the Flexographic Pre-Press Platemakers Association Technology Innovator of the Year Award.

Designed to dramatically enhance the quality and efficiency of flexographic printing for applications such as tags and labels, folding cartons, and flexible packages, the FLEXCEL NX System enables offset class, gravure quality results for packaging printers and their brand owner clients, as well as improved productivity, and unprecedented simplicity and predictability on press.

"The beauty of this new development is that it builds upon the core benefits of the 1:1 image reproduction and flat top dot structure that characterize the KODAK FLEXCEL NX System,' noted Schlotthauer. 'Users of the new feature are reporting plate, ink and substrate savings, with printed results that are impressing clients and helping to drive new business.'

KODAK Products are backed by KODAK Service and Support. KODAK Service and Support is made up of more than 3,000 professionals reaching more than 120 countries. It is a leading multi-vendor integrated services provider, delivering consulting, installation, maintenance and support services for the commercial printing, graphic communications, document imaging and data storage industries. KODAK Service and Support professionals are uniquely qualified to provide services that control costs, maximize productivity, and minimize business risk.
About Kodak

As the world's foremost imaging innovator, Kodak helps consumers, businesses, and creative professionals unleash the power of pictures and printing to enrich their lives.

To learn more, visit http://www.kodak.com and follow our blogs and more at http://www.kodak.com/go/followus.

More than 75 million people worldwide manage, share and create photo gifts online at KODAK Gallery—join today at www.kodakgallery.com

In the graphic communications market, Kodak offers the broadest portfolio of integrated solutions to help customers grow their business. For more information, visit www.graphics.kodak.com. For downloading photos and videos from Kodak's image library, visit www.kodak.com/go/gcimages.

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Tropical Imaging CEO, Andy Mann, commented: "With so many business in the Caribbean having 'tropical' in their name, we felt it was time to re-brand ourselves so as to stand out from the crowd - and also to better reflect how our customers are 'Brilliant' - with a new logo and website - www.brilliant.tc - for the 'people photography' side of our business."

Tropical Imaging will continue as the overall company name, but it's expected that clients looking for photo and video coverage of their wedding, or a family portrait or romantic or boudoir photo session in Turks & Caicos, will increasingly look for 'Brilliant'.

"Many of our customers come here for destination weddings - that's a big part of our business - so making it easy for potential customers to find us online is critical," added Andy. "The new website will be a big part of that. "

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SAN JOSE, Calif. — Adobe Systems Incorporated (Nasdaq:ADBE) today announced the winners of the ninth annual Adobe Design Achievement Awards (ADAA), recognized as one of the world's most prestigious student design and film competitions. The awards, which took place at the Icograda World Design Congress 2009 in Beijing, honor the most talented and promising student graphic designers, photographers, illustrators, animators, digital filmmakers, developers and computer artists from renowned higher education institutions around the globe. This year the program received a record-breaking number of submissions totaling more than 3,300 from students in 37 countries.

'The Adobe Design Achievement Awards provides students worldwide with the opportunity to express their enormous creativity and showcase their work among some of the world's top designers,' said Ann Lewnes, senior vice president of corporate marketing at Adobe. 'The body of work that these students produce is truly inspiring.'

'This year's ADAA submissions were a powerful collection,' said ADAA judge Lance Wyman. 'As the language of communication design is evolving and the cross-pollination of designer skill sets is flourishing, it's uplifting to see students produce high-quality work that creatively conceptualize ideas and solutions. The competition demonstrated the global phenomenon that technology and the creative arts enable designers in different cultures to effectively solve similar problems or tell similar stories while still retaining their own individuality.'

In a ceremony last night at Beijing's National Centre of Performing Arts, winners were recognized for their achievements in 12 categories:

* Animation: a team led by David Prosser of the Royal College of Art in London.
* Application Design: Bryan Berger of Full Sail University in Winter Park, Fla.
* Browser-based Design: a team led by Jayheun Kyum of Hongik University in Korea.
* Illustration: Joerg Block of Hamburg University of Applied Sciences in Germany.
* Installation Design: a team led by Margherita Rubini of Università IUAV di Venezia in Italy.
* Live Action: Varathit Uthaisri of Parsons New School for Design in New York City.
* Mobile Design: a team led by Marc Oßwald of University of Applied Sciences Swabian Gmund in Germany.
* Motion Graphics: David Harper of Indiana University in Bloomington, Ind.
* Non-Browser-based Design: a team led by Jared Weinstock of Drexel University in Philadelphia.
* Packaging: a team led by Adam Paterson of Royal College of Art in London.
* Photography: a team led by Barnaby Coote of Gobelins in France.
* Print Communications: a team led by Jiwon Park of Ewha Woman's University, and Chung-ang University in Korea.

The winning entries can now be viewed at http://adaaentry.com/adaalive.php?year=2009. Winners were selected by a global panel of industry judges based on their originality and effectiveness in meeting the project's communication objectives and the contestants' skills in applying Adobe products specified in their entries. Judges include Leimei Julia Chui (Japan), Louis Gagnon (Canada), Cristina Chiappini (Italy), Garth Walker (South Africa), Tarek Atrissi (The Netherlands), Kyle Kim (Korea) and Lance Wyman (United States).

All winners received a round trip flight to Beijing and two nights accommodation to attend the Icograda World Design Congress 2009, a US$3,000 cash prize, a copy of Adobe® Creative Suite® 4 Master Collection, a winner's certificate, and a trophy. As part of the program, students also are offered a one-year mentorship with a design leader working in their area of interest and are appointed to an Icograda Youth Advisory Panel.

About Adobe Systems Incorporated
Adobe revolutionizes how the world engages with ideas and information – anytime, anywhere and through any medium. For more information, visit www.adobe.com.

About Icograda
Icograda (International Council of Graphic Design Associations) is the world body for professional communication design. Founded in 1963, Icograda promotes communication designers' vital role in society and commerce. For more information, visit www.icograda.org.

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The GAAP net loss for the third quarter of 2009 included amortization of intangibles, stock-based compensation, restructuring charges, loss on asset sales and related tax adjustments, collectively totaling $17.0 million. Excluding these items, the non-GAAP net income was $787 thousand for the third quarter, or $.02 per share.

'We continue to execute on a number of strategic initiatives to improve the overall health and efficiency of our operations,' said Gary Greenfield, Avid's chairman and CEO. 'The third quarter showed sequential improvement in revenue and expanded gross margins, resulting in another quarter of improving results.'

Revenues for the nine-month period ended September 30, 2009 were $455.9 million, compared to revenues of $638.2 million for the same period in 2008. GAAP net loss for the first nine months of 2009 was $49.4 million, or $1.33 per share, compared to GAAP net loss of $97.9 million, or $2.59 per share, for the same period in 2008. GAAP net loss for the nine-month period ended September 30, 2009 included $39.1 million of amortization, stock-based compensation, restructuring charges, loss on asset sales and related tax adjustments. Excluding these items, the non-GAAP net loss per share was $.28 for the nine-month period ended September 30, 2009. GAAP net loss for the nine-month period ended September 30, 2008 included $82.0 million of amortization, stock-based compensation, restructuring charges, impairment charges and related tax adjustments. Excluding these items, the non-GAAP net loss per share was $.42 for the first nine months of 2008.

The company's cash balance on September 30, 2009 was $103.0 million, or approximately $2.76 per share. The company paid out approximately $4.9 million in cash in the third quarter related to restructuring activities.

Avid also announced that its Audit Committee is overseeing an investigation concerning the manner in which revenue was recognized on certain shipments of Audio products near the end of previous quarters from certain warehouses outside the United States. Based on the current progress of the investigation, Avid believes that there have been errors that affected the timing but not the amount of revenue recognized, and that correction of the errors likely will not have a material impact on its financial statements for the current or any prior period. This investigation was only recently commenced. Avid's expectations concerning the nature and materiality of these or any other errors are subject to change based on the final outcome of the investigation.
Use of Non-GAAP Financial Measures

This press release contains 'non-GAAP financial measures' under the rules of the U.S. Securities and Exchange Commission. This non-GAAP information supplements, and is not intended to represent a measure of performance in accordance with, disclosures required by generally accepted accounting principles, or GAAP. The reconciliation for net income (loss) and earnings (loss) per share for the three- and nine-month periods ended September 30, 2009 and 2008 are in the tables attached to this press release.

The company uses non-GAAP financial measures internally to manage its business, for example, in establishing its annual operating budget, in assessing segment operating performance and for measuring performance under employee incentive compensation plans. Non-GAAP financial measures are used by management in its operating and financial decision-making because management believes these measures reflect the company's ongoing business in a manner that allows meaningful period-to-period comparisons. Accordingly, the company believes it is useful for investors and others to review both GAAP and non-GAAP measures in order to (a) understand and evaluate the company's current operating performance and future prospects in the same manner as management does and (b) compare in a consistent manner the company's current financial results with past financial results. The primary limitations associated with the company's use of non-GAAP financial measures are that these measures may not be directly comparable to the amounts reported by other companies and they do not include all items of income and expense that affect the company's operations. The company's management compensates for these limitations by considering the company's financial results as determined in accordance with GAAP and by providing a detailed reconciliation of the non-GAAP financial measures to the most directly comparable GAAP measures in this press release.
Conference Call

A conference call to discuss Avid's third quarter 2009 financial results will be held today, October 22, 2009 at 4:30 p.m. ET. The call will be open to the public and can be accessed by dialing 719.457.2617 and referencing confirmation code 4569475. The call and subsequent replay will also be available on Avid's website. To listen via this alternative, go to the Investors tab at http://www.avid.com/ for complete details prior to the start of the conference call.
Use of Forward-Looking Statements

The above release is subject to the completion and results of the audit committee's investigation described above and the completion and filing of our Quarterly Report on Form 10-Q. This release includes forward-looking statements, as defined by the Private Securities Litigation Reform Act of 1995, about the anticipated impact of the audit committee's investigation described above, and these statements are subject to the outcome of such investigation. This release also makes forward-looking statements about Avid's performance. There are a number of factors that could cause actual events or results to differ materially from those indicated by such forward-looking statements, such as Avid's ability to execute on its corporate strategy and meet customer needs, general economic conditions, competitive factors, pricing pressures, delays in product shipments and other important events and factors disclosed previously and from time to time in Avid's filings with the U.S. Securities and Exchange Commission. In addition, the forward-looking statements contained herein represent Avid's estimates only as of today and should not be relied upon as representing the company's estimates as of any subsequent date. While Avid may elect to update these forward-looking statements at some point in the future, Avid specifically disclaims any obligation to do so, even if the estimates change.
About Avid

Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world – from the most prestigious and award-winning feature films, music recordings, television shows, live concert tours and news broadcasts, to music and movies made at home. Some of Avid's most influential and pioneering solutions include Media Composer®, Pro Tools®, Avid Unity™, Interplay®, Oxygen 8, Sibelius® and Pinnacle Studio™. For more information about Avid solutions and services, visit http://www.avid.com/, del.icio.us, Flickr, Twitter and YouTube; connect with Avid on Facebook; or subscribe to Avid Industry Buzz.

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The Memory Journalists has been motivated to learn and improve over the last five years due to the timeless relationships established and positive feedback from clients. Considering the friendships that have been built with each new client, starting with engagement sessions and weddings to the birth of their first child and family portraits to follow, The Memory Journalists have grown into their slogan of the company: 'Photographing the sweetness of life.'

Deciding to launch a new site encapsulating all the 'sweetness' the team has captured over the years took some research and dedication from the owner, Jennifer Dunham Starr, to find the right logo, design solution company and style. 'As my business has evolved, I have come into a better understanding of myself creatively and personally. I relish in the fleeting moments that mean the most, those natural emotions that could never be duplicated. Embracing my love for each of these splendid events shaped our new slogan, photographing the sweetness in life,' says Jennifer.

The new site, memoryjournalists.com, playfully draws attention to the primary service of The Memory Journalists with the real weddings galleries, testimonials of clients, and fellow industry professionals. On The Memory Journalists blog, visitors can also find couple's date night (engagement session) photos, as well as the tidbits from behind the scenes of their wedding shared by the team. The blog lets readers get to know each member of The Memory Journalists individually and understand their collective style. The Memory Journalists realize that when you invite a photographer to participate in photographing the sweetness in your life, your trust lies with them in implementing your vision. The Memory Journalists' team takes this trust seriously and doesn't thrive on building clientele, but relationships.

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The Memory Journalists profile:
The Memory Journalists, a subsidiary of JLynnConsulting, Inc., was founded in 2003 by Jennifer Dunham Starr. Being a young cancer survivor, Jennifer's goal to 'teach others about the passion of life' was the basis for creating The Memory Journalists. From newborns to graduates and engagements to wedding days, The Memory Journalists capture their clients' personality, beauty and candid expressions. The Memory Journalists shoot a limited number of weddings each year giving special attention to each client. Jennifer also owns DynamiteWeddings.com, an informational resource for engaged couples with daily changing TNT (tips and trends).

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SAN JOSE, Calif. - Adobe Systems Incorporated (Nasdaq:ADBE) introduced Adobe® Photoshop® Lightroom® 3 beta software for Macintosh and Windows®, a public preview of new and improved functionality to be delivered in the next major release. Lightroom is the essential digital photography workflow solution, helping serious amateur and professional photographers quickly import, manage, enhance and showcase all their images from one application. Available as a free download on Adobe Labs, Lightroom 3 beta delivers a preview of new tools that will be in Lightroom 3, including more intuitive importing, unparalleled noise reduction and sharpening tools, enhanced slideshow capabilities and direct publishing to online photo sharing sites like Flickr®. Adobe encourages photographers to test this early selection of new features and provide the product team with their feedback.

'We are extremely fortunate that a strong community of photographers have rallied around Lightroom, helping to evolve the application and making it a meaningful part of their photographic workflows,' said Kevin Connor, vice president of product management for Professional Digital Imaging at Adobe. 'While we're still hard at work on Lightroom 3, we recognize the value our customers bring to the development process and want their input so we can deliver the best final product possible.'

New in Lightroom 3 Beta
Lightroom 3 beta has been completely redesigned with under-the-hood efficiencies to better handle growing image libraries and improve responsiveness with a higher-quality processing engine. In the Library module, a rebuilt import system makes bringing photos into the software more intuitive. Users can easily specify the source and destination of their images, and save common processing, metadata or destination settings as easy-to-reuse presets.

The Library module also includes new capabilities to publish collections on popular photo-sharing sites. Flickr users now have direct access to their accounts from within Lightroom and can drag and drop images directly into their Photostreams. Flickr Pro account users can automatically synch their images and even view comments made on Flickr directly within the Library. This functionality can be extended to additional sites by adding them as new plug-ins once they become available.

In the Develop module, an overhauled processing engine allows users to create the highest quality images. Improved Capture Sharpening and Color Noise Reduction tools provide superior results while still preserving an image's edge detail and contrast. A new Grain tool adds a film-style grain to images, and two new Vignette modes help photographers get a more natural look.

Lightroom 3 beta also offers advanced output options, including the ability to export slideshows as videos with audio and title screens that can be posted to video-sharing sites or optimized for mobile media. New watermarking capabilities enable photographers to embed text or graphic information directly on an image and then adjust the size, position and opacity. In addition, photographers can customize print layouts and save settings for future use, giving them refined control over their images.

Adobe Photoshop Family
Adobe Photoshop CS4 and Photoshop CS4 Extended software are at the heart of the Photoshop family, joined by solutions for users at every level who want to bring out the best in their digital images. Photoshop Lightroom addresses the workflow needs of serious amateur and professional photographers, helping them manage, find, enhance and showcase images in impactful ways. Adobe Photoshop Elements software provides exciting tools and sharing options for photo enthusiasts. Lastly, snap shooters can access Photoshop.com for free to simply fix and enhance photos, and quickly share those images on Photoshop.com or on social-networking sites.

Pricing and Availability
Adobe Photoshop Lightroom 3 beta is available as a free download to anyone on both Macintosh and Windows platforms. Visit to learn more and download the beta. Feedback can be submitted on the Lightroom forums: http://forums.adobe.com/community/lightroom. Users also can connect with Adobe at www.facebook.com/lightroom or www.twitter.com/AdobeLR, and can add the tag #AdobeLR3beta to tweets about the Adobe Photoshop Lightroom 3 beta.

About Adobe Systems Incorporated
Adobe revolutionizes how the world engages with ideas and information – anytime, anywhere and through any medium. For more information, visit www.adobe.com.

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With industry-leading businesses that include Fujifilm Sericol, Fujifilm Dimatix, and Fuji Xerox as partners, Fujifilm Graphic Systems is able to leverage advances in printing and graphic arts technology that provide customers with opportunities to profit in the evolving printing marketplace.

'At PRINT 09, our customers saw the fruits of our investments, including the North American debut of the new Fujifilm Inkjet Digital Press - a culmination of the collaboration among Fujifilm group companies,' said Masahiro Ota, president and chief executive officer of FUJIFILM Graphics U.S.A. 'Together with the Inca Onset S20 and Fujifilm Sericol's leading ink technologies, as centerpieces in Fujifilm's exhibit booth, we have never seen a more positive response from customers and prospective buyers.'

According to Mr. Ota, in selecting Fujifilm, printers are choosing a partner that has the financial health and strength not only to guide their businesses, but to also lead the industry.

A leading securities firm, Mizuho Securities, recently upgraded its recommendation for Fujifilm's stock. The analyst observed that Fujifilm was, "now more likely to achieve record-high profits in fiscal 2011/12." (Forbes/Reuters) This assessment of Fujifilm's strength speaks to the success of the company's diversification into new businesses, and to its ability to reinvigorate traditional businesses by identifying high potential opportunities within their markets.

In Fujifilm's most recent report to shareholders, Graphic Arts was called out as one of the company's five priority business fields for growth, listing the following objectives for its print businesses:

• Fujifilm's continuous R&D investment in the printing and graphic arts business.
• Employ Fujifilm and Fuji Xerox's inkjet and xerography technologies and effectively coordinating such management resources as marketing channels and brand values in the digital printing market.
• Aim for the top global market share for CTP plates.

In the face of the current economic challenges, Fujifilm remains committed to leveraging its heritage in the printing and graphic arts field to introduce new solutions for profitable revenue generation.

'While it may seem counterintuitive or even a bit intimidating, economic climates such as the current one do offer business owners an opportunity to grow,' said Mr. Ota. 'This kind of growth requires both a focus on what's most important: cash flow, cost control, expansion of services and capabilities and effective marketing, as well as having a strong and reliable partner like Fujifilm.

'Our theme at the Print 09 show was 'In Control.' That's what we do, especially in times of economic uncertainty, help our customers remain in control and stay focused on what's most important to their businesses.'

About FUJIFILM Graphic Systems U.S.A., Inc.
As the nation's largest distributor of equipment, consumables and technical services for the graphic communications industry, FUJIFILM Graphic Systems U.S.A., Inc. has assembled best-in-class solutions – including products and technical support – to deliver exactly what our customers need to stay in control and ahead of their competition.

We deliver solutions for workflow, process control, remote monitoring, color standardization, pressroom products, CTP, proofing, digital printing, wide format and more. Only Fujifilm can bring an integrated approach to your technology, hardware and software. Only Fujifilm can put you in control. For more information, please visit www.fujifilmgs.com.

About Fujifilm
FUJIFILM Corporation brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, photofinishing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 15 companies around the world granted U.S. patents in 2008, employs more than 70,000 people worldwide and in the year ended March 31, 2009, had global revenues of $24 billion. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

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